Adam Corn wrote:So are we talking about soundtracks that aren't VGM or any kind of music outside of VGM?
The latter, yes. Apologies, I should've been more specific.
TOP FIVE ALBUMS OF 2006:
5) Mission: Impossible 3 - Giacchino started summer '06 with a flair of cool with M:I-3, which was a constant in my stereo for most of the season. Its high-octane orchestra, combining modern instrumentation with key elements from the '70s original, effectively nails a sound that's closest to capturing the spirit of the original series. The true highlight, of course, is the Vatican City musical sequence, essentially a 14-minute long orchestral homage to the M:I theme. An orgastic feast for Schifrin fans, to be sure.
4) Best Trance Classics 100 - Brevity at its best. One hundred various classical music themes, arranged in eurobeat, techno, and trance styles from some of the best artists in the genre. The biggest surprise is how coherent the listening experience actually is, considering how many of the tracks barely top off a full minute; the sheer diversity is in itself a highly entertaining listen, and the megamix and editing is also first-rate work. ADD-induced folks, take note: there's no way you can get bored with this one.
3) Machoman: Macho - Not to be confused with one Randy Savage, producer Robin Rex (Smile.dk) comes out with his latest Eurodance act, Machoman - and it's a doozy. Rex's site couldn't have said it better: "Machoman’s music has “up-to-date attitude” with a powerful macho concept and great hit songs. Imagine the most crazy and self-confident man in the world writing his own words of his macho life and presenting it to us with 10 super macho songs." For those in the eurodance know-how, think Captain Jack meets Aqua, but with exceptionally more tongue-in-cheek lyrics and an underlying over-the-top self-appreciative tone. It's truly hilarious stuff that boasts strong, catchy melodies and incredible dance energy. Machoman really jogs along that fine line at being unabashedly cheesy and subtely hip.
2) The Lord of The Rings: The Two Towers Complete Recording - Very little needs to be said that hasn't already been said about The Fellowship of The Ring's Complete Recordings; based off of the Extended Edition, this is about as complete a score as one could ever hope for in The Two Towers. For one thing, it's incredible to now be able to listen to the entirety of The Battle of Helm's Deep, but it's even better being able to track the musical progression that the trilogy has being heading along up to this point. It's going to be a stunning experience to one day be able to pop in all three Complete Recording sets, sit back and listen to Shore's masterpiece in its entirety.
1) Pirates of the Caribbean: Dead Man's Chest - I don't think a day's passed since I picked up the DMC soundtrack back on July 4th that I haven't listened to it with ravenous hunger. Wanderer said it best in this thread: "This is junk music but it's so fantastically entertaining that I can't get enough of it." It's seriously the most addicting soundtrack I've heard this year. I'm glad Zimmer's taken up the torch for the series, and thankfully, he was able to successfully bridge that transition from the first film to the second. Dead Man's Chest ends up being a thematically-powerful score, with the music palette seamlessly integrating both the old with the new. Every single theme from the first film makes an appearance in a similar or more developed cue, while the new themes feel like a completely natural extension to the series. Now that these films are officially deemed a trilogy, I look forward to the third and final score with great anticipation.
---
BEST CD DISCOVERED THIS YEAR RELEASED BEFORE '06:
Tiffany: Dreams Never Die - After getting myself hooked with "I Think We're Alone Now" earlier this year, it was just a matter of time that I'd begin seeking out the rest of Tiffany's albums, mostly out of sheer curiosity - and that curiosity has been met with a mostly satisfying new music experience, and a learning one as I've followed Tiffany's 18+ year musical career. (Though yes, about 11 years of that laid dormant for a while.)
Out of Tiffany's six full length albums, "Dreams Never Die" -- the 1993 CD that was a collaborative effort between Tiffany and then-producer and songwriter George Tobin, released only in Asia, and then re-released by Tobin in 2005 here in the U.S -- is my absolute favorite. (Even better was that the 2005 re-release contained six exclusive bonus tracks, previously unreleased works from Tiffany's earliest studio sessions.) This is an absolute gem for Tiffany fans, and especially for myself, in light of the lukewarm New Inside and The Color of Silence. Because it was specifically catered to the Asian market -- a market, which, at the time, was still big on her style of pop -- the personality of her older works still lingered. It was just kicked up about three more levels.
Containing original songs and covers alike, undeniably, the lasting impression of producers John Duarte and Tobin is all over the album, along with the rest of the songwriters who did absolute wonders with these songs. In my case, this CD feels extra special, because although it's been around since 1993, only hearing it now in 2006 makes this feel like a TRUE comeback for Tiffany; an album that has much of the great song writing of yesteryear, with the modern sensibilities of today's pop music. It's really that good, and I thank Tobin for re-releasing the album.