Angela Mar 25, 2007 (edited Oct 19, 2008)
Latin is the main flavor of the season. I went ahead with filling out my Gloria Estefan collection; fans and first-time collectors alike will want to pick up the remastered Essential Collection, which is an amazing representation of Miami Sound Machine and Estefan, balancing both the very best of their pop ballads and dance hits over two beefy discs.
I'm also partial to Shakira these days. Laundry Day is still her best album, but there are some real gems on the Oral Fixation CDs; the rockin' "Animal City," in particular, is much too addicting for its own good. And of course, I've gotten accustomed - no, BRAINWASHED - by the infectious "Hips Don't Lie." A bit more of a stretch as far as Latin-based music goes is Los Lobos, where I picked up their Acoustic En Vivo and Wolf Tracks: The Very Best CDs, both of which meet the high musical standard of Los Lobos. Highly recommended.
David Arnold's Casino Royale score has been on constant rotation for the past two weeks, since I've seen the film. There's a great balance of just about everything on the soundtrack, but I find myself gravitating toward those bombastic set piece action cues, like "African Rundown" and "Miami International." Vesper and Solange's themes are beautiful, though, in the most elegant way.
And Metal Slug 5. The Slug scores always got progressively better as the series moved along, but Toshikazu Tanaka really nailed it with MS5. Combining just the right amount of varied ethnic styles along with a harder-edged rock sound, the score is an absolute blast to listen to again and again. Hail "Windy Day," as it's far and away the most awesome track in the entire series.
For the rest of spring, I'm looking forward to the start of the big summer movie CD releases; Young and Elfman's Spider-Man 3, Gregson-Williams' Shrek The Third, and Zimmer's At World's End. On the VGM front, Mitsuda's Armodyne, Gyakuten Saiban Meets Jazz Soul and Okami Piano Arrange are just around the corner.