brandonk wrote:I just saw it, and, while I found it to be entertaining, I found it really to be not to have much development, (i.e. you could tell it came from a smaller idea / concept) to warrant an completely satisfying experience...I dug the Total Recall'esque type violence that came during the action sequences - and as a Sci Fi flick, it's pretty good...but I'm not sure it warranted all the supposed rave reviews.
Came back from seeing the movie today, and I'm inclined to agree. It's a solid, entertaining film from start to finish, but nowhere near as mindblowing or revolutionary as the hype's been making it out to be. Or maybe I was simply expecting more out of the whole documentary style of storytelling and apartheid-fueled social commentary.
Hard to imagine the movie had a production budget of just 30 million, as there are some really cool special effects and action sequences on display here. Both Blomkamp and Copley do stellar work as debuting director and actor respectively. The plot is well told, but hardly ground-breaking; people saying, "You have no idea what the end game is by the trailers alone" is a bit of a crock; it was far more predictable than I thought, but then I was completely braced for any big twists they might've thrown our way. Points, though, for the movie's natural knack of living in the detail of things. And as terrifically staged and exciting as they were, the movie does get a bit action-heavy toward the latter half - which is accompanied by an unexpected Hollywood blockbuster style score by Clinton Shorter. Surprisingly though, the film wasn't nearly as gory as I thought it would be.
Am I the only one who thought the very last shot was unnecessary? I thought it would have been better left to the audience's imagination..... Or, I dunno, placed as an end credits coda sequence to allow the final words of the interviewees to set in first.
On an unrelated note, the trailer to the Sorority Row remake looked scary as f---. o_O