2005-2015? I'll be echoing some prior picks for sure!
-OSTs
1. NieR Gestlat & Replicant (2010)
Without doubt, the greatest soundtrack in the last ten years. Never have vocals been used as expertly, and consistently in a soundtrack as they are here. The spiritual successor to its music, Drakenguard 3, didn't have quite the consistency that this title does- but I've great anticipation to hear Emi Evans, Okabe, and the rest return for the newly announced NieR title in the distant future.
2. Dragon Quest VIII Symphonic Suite (2009)
In terms of quality consistency, it's right up there with DQIV, however IV's highs are higher than VIIIs, I think. Nearly every track is both listenable and lush. It's unfortunate, but the recording quality leaves a bit to be desired.. (there were few in the hall to absorb the sound, which would have reduced the echo present here). Fortunately, the consistently excellent tune quality and variety keeps this really high for me.
3. Shadow of the Colossus (2005)
Grand, ambient, melodic, kinetic, lonely tunes. Some of the battle songs get a little old after repeating twice over, but I find the work holds up well despite. Otani is to return for Last Guardian, yeah? We may see his brilliance again next year .
4. Tales of Legendia (2005)
Boasts some of the greatest recording quality in all of modern VGM. Being that it is primarily orchestral, melodic, and and has a large variance in themes.. it's a winner. However, a few of the vocal themes and interludes were a bit of a letdown for me.
5. Ni no Kuni (2013)
Hisaishi's Dragon Quest-esque heartfelt two-disc album is a joy for me. The vocal leitmotif is a strong yes! It's fun to hear Hisaishi in a different form of media. Consistently entertaining, with a larger variety of themes than some of his movie scores tend too (I'm looking at you, Howl. I know, I know.. it's not your fault, you were not meant to be listened to as an album were you? Ha..)
6. Killer7 (2005)
2005 was a great year in VGM! Masafumi's Takada's greatest soundtrack IMO. He is he king of ambient, background jams, the staple of this work. Whenever I find myself thinking of a song, 'This isn't particularly complex.. why am I listening to..?' then comes a sweet hook or interesting beat to set the TONE for a few minutes. This is a colorful work.
7. Final Fantasy XII (2006)
I've need to go back and listen to this one in full (it's a juggernaut..). This is not my favorite Sakimoto OST, Vagrant Story is for sheer consistent brilliancy. But, where Vagrant Story is percussive, complex, and dark; XII is lighthearted, melodic, and grand. It is also, unfortunately, a bit too bombastic in some tracks which overstretch this work's welcome as I recall. But, I digress, I've need to revisit the work in full.
8. The Elder Scrolls V: Skyrim (2011)
Soule's ambient tone extravaganza. Stark, shimmering, thick. Unfortunately, as is common in these modern OSTs, the battle themes are a weak point. This is not to be listened to straight through, behemoth length that it occupies; much better too dip one's toes into it for a time and walk out, having been transported to a meditative place for a while.
Honorable Mentions:
The Last Ranker (2010) - anyone excited for Shimomura's composing a full Final Fantasy title? Yesssuh .
Opoona (2010) - Hisaishi's best work since XII, but it's a bit inconsistent.
Journey (2012) - the soundtrack that put Wintory on the map for many!
Just two soundtracks have I listened to from 2015: Witcher III & Ori and the Blind Forest. Ori was preferable, however I can't see myself revisiting either in future years.