Angela wrote:.... That's it? With all the previous discussions above, I was rather hoping for a more detailed report from ya.
It's not, but I decided against posting my laundry list of issues with the movie. I didn't feel like getting involved in a back and forth debate, so like XLord says, I thought the movie was good, but not great. One thing I can agree with everyone on is that the Joker was the definite highlight of the movie. From the moment he appears (okay, the second moment, what with how the first is very brief), he becomes the best aspect of it. Pretty much every scene with him is worth watching. Also, he has more in common with the cartoon Joker than I was led to believe, and that's a good thing. Despite what Ryu said, he's really not much darker, as the sickest things he does are still implied when it comes to seeing the end result. Maybe if the movie had been rated R, they wouldn't have cut away on some of those scenes, but it wasn't. That works fine for me though. You don't need the full brunt of disturbing imagery in order to get the message. Also, he blows up an empty hospital, which very clearly spells out the limits of a PG-13 movie.
What did you think of Bale this time?
He was serviceable. I liked him more in Begins for the simple reason that he was more of a consistent and leading figure in that movie. In TDK it feels like his personal struggles take a backseat to the theatrics *and even the philosophical question* of the Joker and the role of Dent. Also, he still needs to fix that Batman voice, but I bet that everyone is in agreement on that.
Gordon?
Better than in Begins. Getting more attention as commissioner helps, but he seemed like a more established character in TDK.
Was it dark enough for you? Too dark?
It wasn't too dark. It was trying to be, but since the movie is rated PG-13, they could only go so far. Ultimately it's not much darker than Burton's 1989 original. It just takes itself more seriously most of the time and the settings are less fanciful/gothic. I wish that it had more moments like the part where Alfred worries about being labeled an accomplice and Wayne tells Alfred that he's going to tell the public that the whole Batman gig was his idea. Instead, the Joker is the least oppressive character in the movie despite simultaneously being the most vicious. Go figure. I always looked forward to seeing the Joker because he relieved the self-seriousness of the movie. He also served to provide the movie with some steady pacing, as there were moments (especially in the first hour or so) where scenes and transitions were moving too quickly. The beginning with Scarecrow and its immediate resolution just leaves you scratching your head. The jumping from situation to situation gets better towards the middle (lots of Joker involvement) and then resumes towards the very end when they're trying to rush the establishment of a murderous pattern for Two-Face. Ultimately I think that the darkness wasn't much of an issue. It was dark enough for Batman just as the Burton movies and animated series stuff were. It's the greater emphasis that is placed on practical and backdrop 'realism' that makes the Nolan movies feel different.
Better or worse than Begins?
Good question. I'm going to have to say worse because Begins was more focused. TDK has the more interesting character dynamics, but Begins was the more tightly constructed and thusly more enjoyable movie. TDK felt like it was trying to do too much all at once sometimes, and as a result it's hard sometimes to sink your teeth into the experience. Certain events aren't entirely believeable and other elements seem underdeveloped or they get dropped part of the way through the film. Yet for all the disjointed chaos that is the structure of the film itself, it does concern itself with a number of psychological and philosophical issues for the characters, which at least makes it interesting. The scattered moments of brilliance suggest that it could've been better, but as it is, it's good. It's just not the most enjoyable Batman story I've ever experienced, and I still believe that the animated series achieves the best balance between style and substance (TDK does not have the monopoly on human issues in a Batman story), but Heath's performance makes it worthwhile.
It looks like I wound up saying a lot anyway. Oh, but one thing the movie did improve upon from Begins was the camerawork for the fights. You can actually see Batman's moves this time. The whole sonar thing towards the end was a dizzying eyesore though.