Zane wrote:I think some of her tunes from Lament of Innocence are incredible - "Dark Palace of Waterfalls" comes to mind
Agreed. LoI has an incredibly uneven soundtrack. I'd say about 80% of the score is either complete crap or mind-numbingly bland, but there are some stage themes (for example the one you mention) that are just awesome, among the best themes in the series. Curse of Darkness had a somewhat more balanced score, but it was way more mediocre (the only stand-out track being "Baljhet Mountains", IMO).
Herrkotowski wrote:I suggested the way I did because I really thought that Koshiro's contributions to PoR were a homage to the classic soundtracks. "Invitation to a Crazed Moon" is by far one of the best compositions to come out of the Castlevania series since Symphony of the Night.
I'd also like to see Koshiro do a Castlevania score, I'd bet he'd be much better at it than Yamane. His tracks on PoR and his Actraiser stuff shows he can do it. Have to disgree on "Invitation to a Crazed Moon", though, I thought it was his weakest piece in PoR. My favourite was that clock tower theme, what was it called, "The Gears Go Awry"? Brilliant, pure old-school Akumajou.
GoldfishX wrote:I'm among the people that feels the series hasn't spawned a particularly great soundtrack since Dracula X (including the remake).
Come on, you're exaggerating. While its true that the quality of the series' music has declined noticeably in the latter half of it's life, I still think it holds up pretty good when compared to the vast majority of VGM. What cripples the CV-soundtracks of late is Yamane's hold on the series. Its not that she's a bad composer (Bloodlines and Symphony of the Night are masterpieces), its just that she's way too stuck in a rut. When I think of the incredible diversity she showcased on Symphony of the Night's OST (still her best work, IMO), it just strikes me as so odd that most of her latter CV-music (especially the handheld soundtracks) sounds so same-y. She's become too much of a one-trick pony, with many tracks on her newer soundtracks you only need to listen 15 seconds and you basically can tell how the entire piece is going to sound. The series needs new blood, both the music and the games.
I haven't heard Order of Ecclesia's soundtrack yet, though, so I can't comment on that.
GoldfishX wrote:Oddly enough, the past year or so, I've probably paid CV4's OST more attention than I ever have previously. It's brilliant.
Like Zane pointed out, there's nothing odd about that whatsoever. Castlevania 4 has one of the best damn soundtracks ever composed. Definitely the pinnacle of the series, IMO.